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Here #5: Hugo Lioret / Conditions

by Hugo Lioret

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1.
Permian 01:37
2.
Pleistocene 01:52
3.
Pliocene 01:21
4.
Oligocene 02:48
5.
Eocene 04:24
6.
7.
Ordovician 01:24
8.
Archean 00:51

about

What does producing sound mean? A perception of time and space. For me, to produce implies to give order, whatever it is. The choice of a formal, random, sensitive, algorithmic or improvised organization always implies a directionality, a tendency. Even without being conscious of it.

Through sounds that are their fragments, these compositions can be interpreted as having a certain form of organization today, and by that a specific meaning. Tomorrow another tendency could be perceived. Indeed, even the most basic form will always convey slightly different opportunities depending on the attention given to it.

Under certain conditions, we can explore the perceptive movements that sound conveys.

Which memories? Previous, imaginary, hypothetical, forgotten.

What form? Fluid, unspoken, random, natural.

What temporality? Yesterday, the 10th century, 500 years ago, quantum space.

What sense? Surreal, abstract, non-existent, foreign.

Listening is an archaeological practice.

credits

released August 5, 2022

Track 6 [Cretaceous] : Original violin by Leslee Smucker

Written, composed, and recorded by Hugo Lioret, 2022, The Hague, Netherlands.

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all rights reserved

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about

Hugo Lioret France

Hugo Lioret is a sound artist, PhD researcher and music mediator based in Paris, FR.

His work, rooted on organicity, encompasses electroacoustic composition, free improvisation, audiovisual performances, music for fixed medias, sound in situ and sound design through digital processes, field recording and modular approaches. ... more

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